Feltman's Follies
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Backstory
Hot Off The Press
The Emmis Truth
Photograveure
Everyone's A Critic
Op-Ed
Legal & Rights Statement
Feltman's Follies
Masthead
Backstory
Hot Off The Press
The Emmis Truth
Photograveure
Everyone's A Critic
Op-Ed
Legal & Rights Statement
More
  • Masthead
  • Backstory
  • Hot Off The Press
  • The Emmis Truth
  • Photograveure
  • Everyone's A Critic
  • Op-Ed
  • Legal & Rights Statement
  • Masthead
  • Backstory
  • Hot Off The Press
  • The Emmis Truth
  • Photograveure
  • Everyone's A Critic
  • Op-Ed
  • Legal & Rights Statement

Feltman’s Follies The creative forge of Eric Feltman

Feltman’s Follies The creative forge of Eric FeltmanFeltman’s Follies The creative forge of Eric FeltmanFeltman’s Follies The creative forge of Eric Feltman

Here you find everything from long fiction, short stories, memoir, 

political satire, children's books, cook books, and more

Feltman’s Follies The creative forge of Eric Feltman

Feltman’s Follies The creative forge of Eric FeltmanFeltman’s Follies The creative forge of Eric FeltmanFeltman’s Follies The creative forge of Eric Feltman

Here you find everything from long fiction, short stories, memoir, 

political satire, children's books, cook books, and more

This site wasn’t built for spotlight... it was built for voice.

  After decades of creating, teaching, feeding and consulting without asking for applause, I needed a space that was mine. 


Not for fame - but for truth. 


Fel­tman’s Follies is my forge: where I stake my claim, 

not in ego, but in worth.


A place to speak clearly in the din, and finally be heard.


My interests are many and varied. Here, you’ll find an archive of literature and prose, manuals and memos, food photography, cartoons, illustrations, memes, music recorded live at one of my restaurants, my societal position, hospitality mentoring, and access to other social media sites where I wield specific disciplines.


The halls are interconnected and the setting is lush. Take time to explore, I think you'll find your investment worth the effort. 

Editorial by Eric Feltman

This isn’t just a statement. It’s a cornerstone. 


Welcome to my quiet room in the archive. 

One where I invite the reader to 

lean in, listen, and leave your thoughts as well.


GO TO LETTERS FROM THE EDITOR

The Forge in Motion

Grayscale photo of woman in vintage dress lit by window, memoir cover for 'The Light on the Wall'

The Light on the Wall

The Light on the Wall

The Light on the Wall

 ~Currently in final edit for publication


Told in a stream-of-consciousness style inspired by Woolf and Joyce, this memoir blends personal narrative with spiritual mystery. It offers memoir-as-entertainment rooted in truth, memory, and emotional resonance.


The story begins when my wife and I move into a seemingly ordinary suburban home and encounter the subtle but unmistakable presence of Margaret Kimball, a woman long deceased. Her influence quietly reshapes our lives.


Braided with stories from my years as a student, performer, chef, and partner, the memoir explores six formative years and four defining women, including Margaret, whose unseen presence proved as emotionally vivid as any living figure.


Though the narrative moves freely through time, each scene is carefully chosen to illuminate how we find meaning in unlikely places, and how some homes remember us as much as we remember them.

10-Page Teaser
Grand classical lobby of Lyric Opera of Chicago with chandeliers, columns, and ornate ceiling

A Culinary Memoir

The Light on the Wall

The Light on the Wall

Coming 2026: 

A Culinary Memoir from 

Opera’s Most Exclusive Table


From 1979 to 1985, I served as Executive Chef of The Guarantors Green Room at the Lyric Opera of Chicago, a private club tucked behind the velvet curtain, reserved for the elite patrons, the Garatours. 


This intimate 145-seat haven (150 if you dared to stretch) was a bastion of privilege, where vintage port flowed from its 1863 vessel through every year up to 1957. Each dinner was a performance in its own right.


Over six seasons and more than 50 operas - from La Traviata to Carmen - I crafted menus that mirrored the drama on stage. Each dish was a tribute to the music, the mood, and the moment. 


I served stars privately as well, from spontaneous Christmas duets with Beverly Sills to a $1,500 pasta drama with Luciano Pavarotti. The kitchen was my stage, and every plate sang  its own aria.


This cookbook is more than a collection of recipes. It’s a memoir of culinary theater. It captures the rhythm of backstage life, the intimacy of shared meals, and the quiet magic of a room where art and appetite met in perfect harmony.


Whether you’re a lover of opera, a devotee of fine dining, or simply someone who believes food should tell a story, this book invites you into a world where every course was composed with feeling... and every dinner was a standing ovation.

The Oswald Collection

The Light on the Wall

The Oswald Collection

Re-publishing soon


Tales from Beneath the Forsythia


What’s a poor centipede to do? Oswald A. Bug lives among gum wrappers, garden rakes, and surprise rainstorms. 


He’s tangled with pink-eyed ants, dodged a curious cat, and turned trash into treasure more times than he can count. He’s not perfect, but he’s persistent, and that counts for something.


These illustrated stories welcome young readers into Oswald’s miniature world, where a bottle cap makes a fine roof, a pebble becomes a path, and every setback is a chance to try again.


The tales are simple but carry weight. They speak to kindness, grit, and the quiet art of starting over. They’re meant to be read aloud, talked about, and remembered.


Whether Oswald is patching up his home, sharing soup with an old rival, or curling into a red sock on Christmas Eve, he reminds us that small creatures often have the biggest hearts.


Perfect for bedtime, classroom corners, or quiet afternoons, the Oswald A. Bug series is less about bugs and more about being human.

Copyright © 2025 Feltman's Follies - All Rights Reserved.

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